The postcard archive was first shown in Unsorted. It documents work from 1969 - 2002, much of which takes the form of gallery-based, 'autonomous' objects. Subsequent work conversely engages more 'post-autonomous' practice. However, only the Part Art works appear here; the rest will follow shortly.
A little vague bubble-jet print, 2000
Animals collage, 1969
Begging Card for Dr Faustus image from The Faust Supplement (2002)
Block paper and plastic binding, 1992
detail of fly posting from the public art work Brick Lane with Siraj Izhar, 1995
still from Count for Nothing 16mm c & b&w film, 1992; supported by a Ray Finnis Trust award; various screenings
selection from Covers 1996; versions shown at Mary Anne Francis: Group Show; Platform for Art, Piccadilly Circus Station, London; The Book Show
from the series(Dis)appearing Cubes: Oho perspex and paper, 2002; shown at e1 Group Show
from the series(Dis)appearing Cubes: Vanitas perspex and photograph, 2002; shown at e1 Group Show
Drawing for a show pen on paper, 1996
digital drawing for Stall 2003
Easycare Abstract Flower Arrangement cleaning implements and insect, 2004. From the Part Art range; extended versions of this modular floristry have appeared at Open Congress; Would, Silence, the Apology; Cybersonica 2006
detail of The Golden Fleece golden calves, gold records, golden rules, gold coins and more at Beaconsfield Gallery Christmas Bazaar, 2000
Happy Accident ink on paper, n.d.
The House in the Lumber Room (1) R-type, 1998; shown at Mary, Mary Quite Contrary; Mary Anne Francis: Group Show.
The House in the Lumber Room (2) R-type, 1998; shown at Mary, Mary Quite Contrary; Mary Anne Francis: Group Show.
The House in the Lumber Room (5) R-type, 1998; shown at Mary, Mary Quite Contrary; Mary Anne Francis: Group Show
from the Un-made Readymade series: Made Un-Ready sherbet fountain, 1998
detail from Mary Anne Francis: Group Show 2000
outside of Mays etched mirror and wood, 1994; commissioned for exhibition in the Bridge Gallery, Central St. Martin's College of Art & Design
inside of Mays (as above)
detail of Model T Bags tea bags, pigment, glue and wood, 1998; shown at Mary Anne Francis: Group Show
detail from Model T Bags alternative installation
Pest plastic and shoelaces, 2000; shown at Mary Anne Francis: Group Show
Digital drawing for High Art Light - commission; product sheet, showing modulations of moveable perspex panels, 2005
Public Convenience perspex and modelling materials, 1998; shown at Mary Anne Francis: Group Show
Sunflowers digital collage, 2004
installation detail of Unsorted postcards, wood and DIY Abstract Painting (Allsorts), 2002
Poolswin perspex, plastic tray and paperclips; shown at Mary Anne Francis: Group Show; Mostyn Open 11
Special Agent (1) R-type photograph, 1996; shown at Goldsmiths' MA Show; Mary Anne Francis: Group Show
Specimen acetate under glass, 1997; shown at Mary Anne Francis: Group Show
various Volcanoes from Series A and B poster paint on paper, 1998 & 2000; shown at Mary Anne Francis: Group Show; Felder Fine Art
Well I Never (1) R-type, 1995; shown at Mary Anne Francis: Group Show; Dean Street Garage Sale
Well I Never (2) R-type, 1995; shown at Mary Anne Francis: Group Show; Dean Street Garage Sale
lecture-demonstration for What Work Does the Work of Art Do? A Symposium with 'Art & Language'(2) using Part Art's Easycare Abstract Flower Arrangement
Would detail of interior, etched mirror and wood, 1993; shown at Top Marks
A small number of limited-edition postcards are still available (£5 each) from address below.
the multifarious in the artist:
pseudonyms
•Elisabeth Bodis
•Frances Francis
•Anna Hitchcock
•Sarah Scribner
switching the signs
•Mary Anne Francis: Group Show
•The Faust Supplement
the un-ready exhibition
•Unsorted
the artist in the multifarious:
•Part Art•Open Source related
•Beyond The Free Market
other: