one person |
| 2004-05 |
Stall commissioned by the Financial Services Authority for foyer at Canary Wharf London, E14. A simulated flower stall, changing on a monthly basis, serving as a prompt for discussions between the artist and FSA employees about the role and value of art in the workplace |
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| 2002 |
Covers at Platform for Art, Piccadilly Circus, a poster series of photographic work - Link |
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| 2002 |
Unsorted e1 gallery, London |
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| 2000 |
Mary Anne Francis: Group Show Beaconsfield, London SE11 - Link |
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|
| 1992 |
(as Sarah Scribner) tabulae erasae at Princelet Street disused synagogue, London E1 |
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collaborations |
2004-
present |
Contributor to the research cluster Critical Practice and in particular Beyond The Free Market |
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| 2003 |
Bloomsbury Blooms, Voices (with Lucy Heyward) St George's Chapel of Rest, Bloomsbury London WC1 - Link |
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| 1998 |
mary, mary quite contrary with Mary Lou Pavlovic (two person show) Gasworks Gallery, London SE11 - Link |
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| 1995 |
Brick Lane a public art project with Siraj Izhar of Strike arts organisation supported by a London Arts Board Award; Brick Lane and environs, London |
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selected group shows |
| 2008 |
Farmers' Market, London W1
Group Show curated by Handel Street Projects - Link |
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| 2008 |
Paper presented at The Art of Research: Research Narratives exhibition, Chelsea College of Art & Design - Link |
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| 2008 |
For Those Killed in Ambush at Hold & Freight, London - Link |
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| 2005 |
The Blooming Commons for Open Congress Tate Britain - Link |
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| 2005 |
Cybersonica 06 at Phonica Records, London UK International Festival of Music, Sound and Technology |
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| 2005 |
Would, Silence, The Apology 35a Gallery, Brighton |
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| 2004 |
The Book Show The Wordsworth Trust, Grassmere, Lake District |
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| 2003 |
The Book Show The Nunnery, London, E3 |
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| 2002 |
group show e1 gallery
London, E2 |
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| 2000 |
11 Mostyn Open
Oriel Mostyn, Wales |
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| 1999 |
Passion
Gasworks Gallery, London - Link |
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| 1997 |
Reimag(in)ing Abstraction
Tom Blau Gallery, London |
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| 1997 |
Mavis Goes Shopping
Camden High Street and environs, Camden Town, London |
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| 1996 |
The Dean Street Garage Sale
Townsend House, London |
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| 1996 |
Whitechapel Open
Whitechapel Art Gallery, London |
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| also produced and distributed during this period: a number of limited edition artist's books: rose; Graven Images; freudian slip; Sarah Scribner: 'tabulae erasae'; ‘Mary Anne Francis: Group Show’ exhibition guide; The Faust Supplement Variety Press catalogue, 2002. |
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selected reviews and interviews |
| 2004 |
The Book Show reviewed in frieze 82 |
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| 2004 |
Stall in Times Online |
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| 2000 |
Rebecca Fortnum Incorrigibly Plural on Mary Anne Francis: Group Show published to accompany Unsorted at the e1 gallery |
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| 1997 |
Brick Lane project featured in Opening Lines by Alison Raftery (London Arts Board) |
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| 1996 |
visual practice discussed in An intimate distance: women, artists and the body by Rosemary Betterton (Routledge) pp.163-4 |
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| 1995 |
Greater London Radio interview on Brick Lane |
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| 1994 |
rose artist's book ISBN 1899160000 reviewed in Art Monthly by Cathy Courtney |